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Conditions of Living - Four Corners, Bethnal Green, London (2022–25)
Producer & Researcher for Anthony Luvera
Four Corners is a gallery dedicated to independent photography and film-making in Bethnal Green, London, founded in 1973.
"Conditions of Living" examined the rise of economic segregation in recent housing developments (a phenomenon known as “poor doors”) through photography and graphic information design created in collaboration with a community forum of residents from eight housing developments across Tower Hamlets. The exhibition drew on extensive research into the communal, political, and economic evolution of market-driven affordable housing, exploring how segregation expands outward from separate entrances to access to facilities, healthcare, culture, and community space. Supported by Arts Council England, the project included a Community Forum, series of talks, a research-rich publication, and public artwork. As producer and researcher, I worked with Anthony across the full arc of the project, from co-organising the Community Forum and coordinating participant outreach, to accompanying him on shoots and supervising delivery through to exhibition opening, as well as contributing to evaluation reporting afterwards.
Four Corners is a gallery dedicated to independent photography and film-making in Bethnal Green, London, founded in 1973.
"Conditions of Living" examined the rise of economic segregation in recent housing developments (a phenomenon known as “poor doors”) through photography and graphic information design created in collaboration with a community forum of residents from eight housing developments across Tower Hamlets. The exhibition drew on extensive research into the communal, political, and economic evolution of market-driven affordable housing, exploring how segregation expands outward from separate entrances to access to facilities, healthcare, culture, and community space. Supported by Arts Council England, the project included a Community Forum, series of talks, a research-rich publication, and public artwork. As producer and researcher, I worked with Anthony across the full arc of the project, from co-organising the Community Forum and coordinating participant outreach, to accompanying him on shoots and supervising delivery through to exhibition opening, as well as contributing to evaluation reporting afterwards.




