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Adam R. Hemmings

Preserving the Past ~ Shaping the Present ~ Imagining the Future

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    • Home
    • About Me
    • Explore With Me 
      • Archaeology & Research
      • Production & Curation
      • Community Building & Activism
    • Work With Me

Adam R. Hemmings

Preserving the Past ~ Shaping the Present ~ Imagining the Future

  • Home
  • About Me
  • Explore With Me 
    • Archaeology & Research
    • Production & Curation
    • Community Building & Activism
  • Work With Me
  • …  
    • Home
    • About Me
    • Explore With Me 
      • Archaeology & Research
      • Production & Curation
      • Community Building & Activism
    • Work With Me

Adam R. Hemmings

Preserving the Past ~ Shaping the Present ~ Imagining the Future

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Frequently Asked Questions - People's Republic of Stokes Croft, Bristol (2019)
  • Frequently Asked Questions - People's Republic of Stokes Croft, Bristol (2019)
  • Frequently Asked Questions - People's Republic of Stokes Croft, Bristol (2019)
  • Frequently Asked Questions - People's Republic of Stokes Croft, Bristol (2019)
  • Frequently Asked Questions - People's Republic of Stokes Croft, Bristol (2019)

Frequently Asked Questions - People's Republic of Stokes Croft, Bristol (2019)

Producer for Anthony Luvera

The People’s Republic of Stokes Croft is an organization and cultural space in Bristol, recognised for its activism around community identity, street art, and resistance to gentrification.

“Frequently Asked Questions” is a research-driven artwork made in collaboration with Gerald Mclaverty (a participant in Luvera’s earlier “Assembly”) concentrating on the impact of homelessness at a national level. At its heart are questions arising from Gerald’s own experience: where can I find shelter? Where can I eat? Where can I sleep? Presenting replies from 110 local authorities across the UK (41 of whom did not reply at all) the work demonstrates the true scale of the crisis through one individual’s navigation of administrative and depersonalising systems of authority. Featuring photography, graphic information design, educational resources, a symposium, publication, and public artwork, the project gave voice to those most affected by institutional indifference. As producer, I contributed across both investigative and logistical dimensions, supporting development and delivery of the exhibition and its public programme.
  • Adam R. Hemmings

    is an archaeologist, producer-curator, and community builder

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